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REVIEWS |
by Veronica Mixon
October 7, 2005
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LAND
OF THE DEAD
Universal
Home Entertainment
- The Master of Zombie Horror is back with an exciting
new film! Imagine after establishing the genre with
the original "Night of the Living Dead," George
A. Romero could reinvent the genre -- and he does! He
even features film making fans from "Shaun of the
Dead" in cameo performances. Romaro fans will be
delighted and fascinated at his new direction in the
genre!
The
story opens in some imaginary small town where a group
of human soldiers are scavenging for supplies, food
and equipment when the leader, Riley (Simon Baker) observes
something odd. The Zombies are 'acting' like they are
still alive and they are playing musical instruments
and doing their jobs. Also, one guy, Big Daddy (Eugene
A. Clark) realizes that humans are hiding nearby and
he alerts the others. Riley has never seen this before
and no one will listen when he tells them that something
is different. Change is happening. Instead, the wealthiest
man, Kaufman (Dennis Hopper), who runs things in the
nearby city lives like a king in a huge enclosed glass
skyscraper. He's only interested in maintaining the
status quo. So, he sabotages Riley's plans to leave
town and rejects the No. 2 warrior, Cholo's (John Leguizamo)
plan to move into the glass tower. Big mistake! Meanwhile,
the Zombie Big Man picks up a discarded machine gun
and discovers a new sense of power against the human
who are dangerous when they aren't being 'food.' The
Zombie learns how to survive and even Riley recognizes
that they are also looking for a safe place to exist.
"Land
of the Dead" is a scary new film that is very,
very gory and speaks of the class conflict in modern
times. George Romaro says that he thought of the Bush
administration but most of his fans won't interrupt
his horror film that way. Instead, they'll be entertained
and enjoy the show!
This
unrated version includes Romaro's audio commentary,
story boards, scream tests, killer music video, the
"When Shaun Met George" documentary and an
informative "Making of " featurette. Horror
fans will be delighted!
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CARLITO'S
WAY: Rise to Power
Universal
Home Entertainment
- It's a pity that the producer of "Scarface"
and "Carilto's Way" didn't find another director
rather than his son to direct this prequel to the Al
Pacino cult classic. Instead, Martin Bregman let his
son, Michael direct and the results is a dull, dull
movie. "Carlito's Way: Rise to Power" takes
place in the 1960s with Carlito Brigante (Jay Hernandez),
a twenty-something Puerto Rican ex-con teams with his
two cell mates -- (Mario Van Peebles and Michael Kelly)
-- to form a multi-racial Heroin cartel in Harlem. The
trio's success gains the respect of the Italian mob
but Carlito's luck doesn't last for very long. Rising
to the top quickly, Carlito discovers that respect and
loyalty are in short supply.
The
film easily captures the look of Harlem in the 1960s
and the difficulty of life on those mean streets. However,
while the original "Carlito's Way" had a mesmerizing
star at the center of it's film, handsome Jay Hernandez
is too green to command the big screen like Pacino.
Furthermore, the plot and dramatic scenes lack intensity
because the original film also provided an intriguing
look at the fast changing drug culture in America. The
cleverness and style that Carlito utilized to gain power
just isn't on the screen. Mario Van Peebles is good
but has little to do and Sean Combs, the rapper known
as P. Diddy, looks good but that's all! Veteran actor,
Luis Guzman , who appeared "Carlito Way,"
makes an appearance but his presence doesn't add any
punch to the violent confrontation. Director Martin
Bregman, who also wrote the screenplay, simply doesn't
have an intriguing story to tell. That's unfortunate
because given the power of the original Pacino film,
this is a missed opportunity!
The
disc does have interesting behind-the-scenes featurettes,
deleted scenes and a look back at Harlem.
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THE
INTERPRETER
Universal
Home Entertainment
- Sydney
Pollack’s The Interpreter
is a first-rate suspenseful thriller. Nicole Kidman
(Cold Mountain and The Human Stain)
stars as Silvia, an interpreter who overhears the plot
to assassinate an African leader on an upcoming visit
after she returns to work one evening to pick up some
personal items. She’s certain she heard a threat
and there is a possibility that she was seen before
exiting the building. US agent, Tobin Keller (Sean Penn)
doesn’t believe her because Silvia once resided
in the African nation whose ruler is now under threat.
And, he soon discovers that she was a member of the
rebel alliance against that same ruler after her parents
were murdered. Silvia tells Keller that she has changed
and feels that by working at the United Nations, she
can achieve more than carrying a rifle.
Pollack
(The Firm) weaves a tense whodunit with a historical
backdrop of African genocide and bloody politics that’s
rarely seen in American cinema. It feels like something
one hears on the evening news. The UN setting is wonderful
and it’s the first time a film was actually shot
on the premises. The intricate political and military
set up of the UN is explored as well as the quirky personalities
of the characters in the story.
Sean
Penn plays a cop mourning his recently deceased wife.
There is no need for chemistry between Penn and Kidman
because the characters aren’t suppose to necessarily
like one another. Penn’s distrust of Kidman seems
smart and genuine. His no-nonsense, wise-cracking partner,
Dot played by Christine Keener provides some laughs
and it would have been nice if we saw little more of
her. It was also good to see veteran actor, Michael
Wright (Sugar Hill and The Five Heartbeats)
in supporting role. The
Interpreter is clever, smart and timely
as it mixes nuances of current events and modern day
mysteries together.
The
disc has several features including deleted scenes,
an alternate ending and ducmentaries exploring the life
of real interpreters, a look at the United Nations and
Syndey Pollack at work. This is very interesting stuff
for a mature audience.
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Edited
by Veronica Mixon
images courtesy of Universal.
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