
WFCC AWARDS 2008
January 9, 2009
The Women Film Critics Circle held their annual Awards Ceremony on January
8th. The Ceremony was broadcast live on WBAI Radio, with WFCC members,
award winners and guests.
DISFIGURED: WFCC COURAGE IN ACTING AWARD 2008
TO LISTEN TO THE SHOW, CLICK
HERE
The Women Film Critics Circle is an association of 46 women film critics
and scholars from around the country, who are involved in print, radio,
online and TV broadcast media. They came together five years ago to form
the first women critics organization ever in the country, in the belief
that women’s perspectives and voices in film criticism need to be
recognized fully. WFCC also prides itself on being the most culturally
and racially diverse critics group in the country by far, and best reflecting
the diversity of movie audiences.
THE WOMEN FILM CRITICS CIRCLE AWARDS 2008
BEST MOVIE ABOUT WOMEN
Changeling
BEST MOVIE BY A WOMAN
Frozen River
BEST STORYTELLER [Screenwriting Award]
Jennifer Lumet: Rachel Getting Married
BEST ACTRESS
Melissa Leo: Frozen River
BEST ACTOR
Mickey Rourke: The Wrestler
BEST YOUNG ACTRESS
Abigail Breslin: Kit Kittredge and Definitely Maybe
BEST COMEDIC ACTRESS: *TIE*
Sally Hawkins: Happy-Go-Lucky
Meryl Streep: Mamma Mia!
BEST FOREIGN FILM
I’ve Loved You So Long
BEST FEMALE IMAGES IN A MOVIE
The Secret Life Of Bees
BEST UNRELEASED MOVIE
How The Garcia Girls Spent Their Summer
BEST EQUALITY OF THE SEXES
Nothing But The Truth
BEST MUSIC
Cadillac Records
BEST ANIMATED FEMALE
Eve: WALL-E
BEST FAMILY FILM
WALL-E
LIFETIME ACHIEVEMENT AWARD
Meryl Streep
ACTING AND ACTIVISM: Natalie Portman
**ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence
against women:
Changeling
**JOSEPHINE BAKER AWARD: For best expressing the woman of color experience
in America:
Ballast
**KAREN MORLEY AWARD: For best exemplifying a woman’s place in
history or society, and a courageous search for identity:
Battle In Seattle
COURAGE IN ACTING:
Deidra Edwards in DisFigured: For redefining conventional standards of
female physical beauty and pride on screen, and promoting positive images
of big bodied women.
BEST DOCUMENTARIES:
GROUNDBREAKER:
A Walk To Beautiful: Mary Olive Smith
ABOVE AND BEYOND:
Wings Of Defeat: Risa Morimoto
COURAGE IN FILMMAKING:
Traces Of The Trade: Katrina Browne
MOST OFFENSIVE MALE CHARACTERS
Choke: Sam Rockwell’s lewd leading man sexaholic, may be the first
on screen designated dirty young man ever.
Hell Ride: Larry Bishop carries a torch for the opposite sex, and not
in that way.
Role Models: Paul Rudd and Sean William Scott master the dumbing down
downer, while dabbling in the ‘dickish dick’ syndrome and
man/boy boobie love.
Towelhead: Aaron Eckhart’s graphic take on the unhealthy male psyche
in America, from sexual abuse and racism to foreign aggression.
Zack And Miri Make a Porno: Jason Mewes matches dirty talk kid antics
with Swallow My Cockuccino porn smut method acting.
TOP TEN HALL OF SHAME
The Hottie and the Nottie: The female world according to Paris, and existing
only inside Hilton’s head, that standing deliberately beside every
gorgeous and irresistible babe is a total female dog, sporting acne, rotting
teeth, hairy bod, and furry toes.
Hounddog: While the sexualization on screen of then twelve year old actress
Dakota Fanning is dismissed by the filmmaker and some anti-rape organizations
because it’s intended to focus on a grave crime, one hand washing
the other is not the point.
House Of The Sleeping Beauties: More aptly titled, Sexually Desirable
When Drugged, the film allows lewd elderly director Vadim Glowna to star
himself as molester and rapist of a series of nude adolescent slumbering
sex slaves. A romanticized and lusty aesthetic portrayal of date rape.
The Life Before Her Eyes: In other words, a woman’s place is in
the delivery room. Not exactly a road movie, but certainly an anti-abortion
mandatory teen motherhood guilt trip. All that’s missing are the
pamphlet tables in the theater lobbies.
Made Of Honor: To hell with safe sex, as a supremely horny lecherous guy
gets to be Prince Charming husband material. A womanizer’s guide
to wedded bliss.
The Family That Preys: Battered wife slugging as comic relief. Ha Ha.
Roman Polanski: Wanted And Desired: A premeditated act of promotional
propaganda masquerading as a balanced documentary. And in the service
of exonerating - with a creative genius defense - the noted fugitive from
justice filmmaker’s rape of a drugged female child.
Savage Grace: Julianne Moore’s really Bad Mommy among the many crowding
the screen this year once again, as her too much information bored socialite
hits on her teen son. A depressing and meaningless tabloid cinema smutty
glimpse into the depraved family lives of stuffy rich and infamous designer
couch potatoes.
The Women: Sex, Lies And Shopping, as filthy rich leisure class females
lament their personal woes as victims, not so much of men, but of workingclass
women.
Zack And Miri Make A Porno: See Most Offensive Males above.
**ADRIENNE SHELLY AWARD: Adrienne Shelly was a promising actress and
filmmaker who was brutally strangled in her apartment in 2006 at the age
of forty by a construction worker in the building, after she complained
about noise. Her killer tried to cover up his crime by hanging her from
a shower20rack in her bathroom, to make it look like a suicide. He later0Aconfessed
that he was having a “bad day.” Shelly, who left behind a
baby daughter, had just completed her film Waitress, which she also starred
in, and which was honored at Sundance after her death.
**JOSEPHINE BAKER AWARD: The daughter of a laundress and a musician,
Baker overcame being born black, female and poor, and marriage at age
fifteen, to become an internationally acclaimed legendary performer, starring
in the films Princess Tam Tam, Moulin Rouge and Zou Zou. She also survived
the race riots in East St. Louis, Illinois as a child, and later expatriated
to France to escape US racism. After participating heroically in the underground
French Resistance during WWII, Baker returned to the US where she was
a crusader for racial equality. Her activism led to attacks against her
by reporter Walter Winchell who denounced her as a communist, leading
her to wage a battle against him. Baker was instrumental in ending segregation
in many theaters and clubs, where she refused to perform unless integration
was implemented.
**KAREN MORLEY AWARD: Karen Morley was a promising Hollywood star in
the 1930s, in such films as Mata Hari and Our Daily Bread. She was driven
out of Hollywood for her leftist political convictions by the Blacklist
and for refusing to testify against other actors, while Robert Taylor
and Sterling Hayden were informants against her. And also for=2 0daring
to have a child and become a mother, unacceptable for f emale stars in
those days. Morley maintained her militant political activism for the
rest of her life, running for Lieutenant Governor on the American Labor
Party ticket in 1954. She passed away in 2003, unrepentant to the end,
at the age of 93.
WOMEN FILM CRITICS CIRCLE
WFCC.wordpress.com
Criticalwomen@gmail.com
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