"I found David intriguing and I wanted to know where
he was coming from. Also, the script was very well
written, very succinct, physical and clever. He
considered the pods as leads in his film and we
gave them names. But, our relationship is quite
key to believing the world that we're in."
To prepare for the role, Law read the complete
works of Kierkagaard and a play by Sartre. "I
did it for very selfish reasons. I left school
early and it's a hang-up of mine - I feel better
if I can learn and devour as much information
about the world that the director or writer has
created. Then, I can relax and operate within
it comfortably," says Law, who quit high school
at age 16 after landing a role on a television
soap opera. "I'm not a great believer of becoming
the part and staying in the part. But, I am a
believer in learning and understanding. The film
I did after, I was playing the saxophone. It was
just a good excuse to learn [and] someone was
paying for me to learn the saxophone and they
taught me to sail, too. I said, great, get me
a boat. I'm not just going to act."
That film, "The Talented Mr. Ripley" with Matt
Damon and Gwyneth Paltrow will open later this
summer. At 26, Jude Law, who was born in London,
where he started working at the National Youth
Music Theatre when he was 14, has been touted
as the next big thing in many Hollywood quarters.
His appearance as Oscar Wilde's lover in "Wilde,"
as the sexy, violent Savannah hustler in Clint
Eastwood's "Midnight in the Garden of Good and
Evil" and the embittered paraplegic opposite Ethan
Hawke in "Gattica," has made Law a hot, sought-after
talent. But, the handsome, young actor claims
that the hype hasn't really affected his choices
when it comes to work.
"I'm at a different point now although I don't
quite know why. It's never affected me in the
past. I usually go for stuff that I like as a
part and I think that's going to be a bit of a
challenge. I'm all for challenge at the moment.
I've got years to do easy walk on parts and get
paid loads of money for it, if that ever arise,"
he says. "But, right now, I want to do stuff that
stretch me. If being the next big thing opens
the door to doing good parts then, I'm delighted
to be the next big thing. And, working with big
directors, then that's great by me."
Law got his first brush with the intense spotlight
of fame in Italy last summer while working with
his American co-stars and says he feels lucky
that he's British and can retreat.
"Well, first of all, I couldn't have had a better
person to meet because Matt is a real gentleman
and a sweet down-to-earth nice guy, really. And,
he's great to work with because he's such a hard
worker. If anything -he'd say so himself - fame
kind of gets in the way. He's just an actor from
Boston and he writes a bit and he's good. Suddenly,
all this [makes hurricane sound] starts going
on, it gives you a lot of pressure, you know.
"Poor Matt. He was so embarrassed that paparazzi
would follow him around and get in the way of
filming - the only time I saw him get angry -
we'd be doing this intense scene in the middle
of the ocean and boats would be passing by. And,
with Gwyneth, it was much the same. To be honest,
she found it all a little bit - they deal with
it brilliantly. I was in awe because it is something
that's really alien to me
"Unless, you go for it in England, they won't
make you the new big thing. They'll take pleasure
in knocking you down, if you came to be. Great
pleasure! And, they'll take photos, too," he says
laughing. "They don't revel in the fact that you
have a new chapter in your life because you have
a lot of money and acclaim - which is kind of
unfair. But, I think they expect you to still
be one of the lads or girls - which is nice.
"A friend of mine is in the band, Oasis and he's
now worth 56 million pounds and he grew up on
a counsel estate. How could he possibly be the
same person? They have a go at him because he
drives a Rolls Royce. They have a problem with
success. They give sports heroes are hard time
and yet, someone who just made an effort, they'll
say, 'oh, isn't he great.' I don't know. It's
this kind of self-denial things - which I hate.
If someone does well, relish it and encourage
it."
Law admits that he hasn't talked to best friend,
Ewan McGregor about fame, either because it's
too ackward. "You don't wanna say, 'Come on, mate.
What's it going to be like? Are you prepared?
Because you don't want to be aware of it and you
also don't want to bring it up and put the fear
of God in him. I think there's a side of him that
can't wait - it's a very exciting year. But, I
also think there's a side of him that's kind of
fearful because you lose a lot of your privacy
because it's all gone. It puts pressure on your
family, too because you're in the spotlight.
"You know what I mean when I say we haven't really
talked about it. I'll say, I saw your trailer
but I wouldn't say are you ready? He probably
needs to hear that from a friend. It's quite intimidating,
really. The amount of interest already in the
film is unbelieveable. God! Like wow! I can really
feel it - especially here. I'd want to hear it
from him because you can't just say, it won't
affect me because it will somehow."
He has thought about his future in this business.
After subsequently appearing on stage in the West
End and with the Royal Shakespeare Company, and
making his feature film debut in "Shopping," Law
decided to form his own production company in
1995. The London-based company, Natural Nylon
is a co-operated with his wife, Sadie Frost, McGregor,
Jonny Lee Miller and Sean Pertwee. Natural Nylon
co-produced "eXistenZ" and will begin work on
their first feature, "Nora" starring McGregor
this month. There are six other projects slated.
Meanwhile, he's taken a break since the end of
last year to spend time with his family. "Sadie's
doing a film with Lauren Bacall and Harvey Keitel
and running her own clothing design company called
'Frost French,' but mostly, she's been busy having
babies," he says proudly. "We've got two boys."