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Years ago, after "Silence of the Lambs" made him a star, waitresses would send Anthony Hopkins plates of raw liver.

 

 

Feature Interview  

Anthony Hopkins

 

 

By Veronica Mixon
February 4, 2001

 

"They stopped," joked Hopkins with a sly little smile. "I'd bit them." Well, they might start up again once they get wind of the actor's unbelievable performance in "Hannibal."

Hopkins knows that the character of Hannibal Lecter will be what he's best remembered for and that doesn't bother the seasoned actor who has appeared dozens of films such as The Remains of the Day, Meet Joe Black, Legends of the Fall, Howard's End, Bram Stoker's Dracula and The Mask of Zorro.

Hopkins was born December 31, 1937, in Margam, near Port Talbot, Wales, the only child of a local banker. At 17, he wandered into a YMCA amateur theatrical production and knew immediately that he was in the right place. After a stint in the British Army, he was invited to audition for Sir Laurence Olivier, then director of the National Theater at the Old Vic. Two years later, Hopkins was Olivier's understudy in Strindberg's Dance of Death. In 1967, he appeared in his first film, The Lion in Winter opposite Peter O'Toole and Katherine Hepburn.

Since Silence of the Lamps made him a star, Hopkins has weathered the spotlight of fame and gossip. Furthermore, he continues to craft illuminating performances.

Anthony Hopkins became a U.S. citizen this year.

 

THE INTERVIEW

Why come back to role after ten years?

Only if the script is good. [Otherwise] there is no mileage of doing it again. I'm not a gambler. It's like going to Vegas and winning a pile of money. Then you say, I'll do it again and you lose all of the money. It's like being at a good crap table. You can't compare it to the other one and yet, you can. It's turned out good so far but I don't know if it's worth pushing it because Godfather III didn't work.

Would it bother you to see someone else play it?

No. I'm just happy to be here. [I'm] happy that this seems to be getting a lot of interest. I don't have a lot of expectations. I've done my work, my job. I don't think about the future.

People are rooting for you, for Lecter. Do you think this movie celebrates evil?

Oh, don't ask me that. Why do audiences go see it? Does that make me weird or you weird? Don't ask me. Women have said they loved it. I was surprised but I understand women have a high threshold for pain. Remember Jaws and that's a real horror movie. I remember when that came out and I didn't have to see a psychiatrist because I loved that.

Do you think of this as a horror movie?

No. [It's a] thriller. A lot of women are saying Hannibal is really sexy and they're rooting for Clarice and Hannibal to get together. I'm glad of that. I don't think that's strange.

He's protective of Clarice.

He does protect her. He only attacks the men. He threatens Giancarlo's [Giannini] wife? Oh, he's going to have sexual conquest without him. What is the difference between the Hannibal Lector you did ten years ago and now? Well, he's out on the streets now and he's world-weary. It's ten years and he's sadder, lonelier. A bit bored. Maybe he eats too much pasta. When I flew back from Florence and I was in Washington D.C. working with Julianne, I said to Ridley [Scott], I have an idea. Why don't I cut my hair short and just change my identity and cutting out all of that "Silence of the Lambs" Lecter. I'd drive a flatbed truck wearing boots and jeans. I'd started working out with the weights to make myself burly. And, I pass for normal in the crowd. He said it's a great idea and I decided to change it that way and to drop the mask of the old Lecter. It was simply to give audience and myself relief from the old look. [I could] give something new - a new look, a new delivery, a new way of playing. So, he had changed a lot and he's doomed never to find any peace. He's in prison of his own monstrous mind.

Did you want him to be sympathetic or likable?

I didn't mean to make him a sympathetic figure. He's a man trapped in his own - well, when he kisses her and says, 'I've come half way around the world. Could there have been a chance?' She says 'Never in a thousand years.' And, he says 'That's my girl.' She's not corruptible and I think 'good for her. But, I'm doomed not only to cut off my hand but being chased by the FBI. Which is kind of exciting as well.

Where did Lecter's new pet phrase come from?

When I'm doing the line, 'I've been out of action, Claire and I hope you're back on the case," I asked Ridley if I could add the line, "Goody, goody." Because I'm getting a little sassy because I'm tired like a wasp in summer that gets more lethal as it's dying. It's seemed more visceral. How did you feel about the scene when you attack the nurse? I was surprised. I said to Ridley 'are we going to show it?' He said, he didn't know.

What about the rating of movie?

I just heard that the movie is getting PG rating in Canada and in Italy it's just G rating. Only the Americans [have a problem].

Do you identity with Hannibal?

Identify? I don't identify. It's a chance to reinvent. Someone asked me if I'd thought about this character and I said no. But the truth is I think I have on and off - given him some thought. If I do play him again, there are a few things I'd add.

Like what?

I'm not going to say. Give us a hint? When he was walking around bare foot in the scene with Giancarlo Giannini. It was my idea to hint that there was something dark in Lecter's life that was going on in the back of that house. Did you approve of the new ending? I didn't object to the ending in the book but I also liked this ending, too.

Did you speak to Jody Foster about why she didn't want to do it?

No. I did see her afterwards at Santa Barbara. There's a film festival up there and I spoke to her there. I did say to her I'm sorry you're not doing it. [But] She's very close to herself and she didn't give out reasons. I respect her privacy. By that time, I think, Julianne [Moore] had been cast and Jody said she'd be wonderful. I didn't know if she knows Julianne.

Did you have any words of wisdom for Julianne about playing Clarice?

No. I just said, 'you'll be terrific.' When they were casting, they had a group of actresses who were formidable. I think Helen Hunt was one but I can't remember the list. I talked to Ridley and he asked who I thought would be good. I said they're all pretty good but I have worked with Julianne before. I said she had a nervous breakdown in front of me and she gave the blazing performance of mental breakdown all in one take. James Ivory said, well that's it. She was focused. That's what Jody, Ray Liotta, Gary Oldman and any good actor has. It's about focus.

Do the Hannibal jokes get annoying?

No, it doesn't bother me. Why do you think Hannibal is the role people associate with you? Like Bela Lugosi and Tony Perkins in Psycho. It hasn't done any harm to my career. I don't know how Mr. Perkins did it but it depends on how you handle it. I remember lining up to see that performance and it scared the hell out of me. But, I think that's proof. It's like Jaws.

What part do you play in The Devil in Daniel Webster?

I play the lawyer, the good guy. I like working with Alec Baldwin. He's directing you on this one. What a director! He's a powerhouse. He's a real leader, very forceful, very focused and very sure of himself as a director - as he should be. He's such a gifted man. He's going through a lot of things now [his divorce] so he's dealing with the film beautifully. I don't know how he did it. He has colossal energy. I guess you stay up all night.

Didn't you take nine months off?

Yeah, there wasn't much around anyway. So, I just decided to take time off. I use to grab onto anything. I took time off and then my agent called and asked if I'd like to do a small part in Mission Impossible 2. Three or four days with Tom Cruise and you play his boss. I near did read the script. I was saying the lines and I asked Tom what was happening. He said 'don't worry; you're doing it beautifully.'

Could you talk about working with Jim Carrey and Chris Rock?

I like Jim Carrey although I don't know him. Ron Howard asked me if I'd like to do The Grinch and I said OK. And, my agent said it was a good deal because after Hannibal, it would be good to do a light comedy and to work with a young comic actor.

Do you like living in LA, now?

Oh, I love it. I've been there for some years now.

What do you like about it?

Mickey Mouse land. I love it.

Do you have a favorite film?

I'm a Hitchcock fan so my favorite film is Rear Window. I've seen it maybe two dozen times and it still holds.

Did you ever sneak into a theater to see Silence with an audience?

Yes, I did. In Atlanta, of all places.

Did anyone recognize you?

No, I went with Renee Russo. She asked me to go and hold her hand. So, I went with a cap pulled down over my head. A Sunday afternoon and a thunderstorm was going on and the lights went out. I was afraid someone would see me and later I heard one of the ladies saying, 'Hannibal Lecter is probably in the theater.'

Will you ever return to stage?

No, too boring. I can't even sit through the theater. I was burnt out at the National Theater. I did hundreds of performances of King Lear, Anthony and Cleopatra and Equus here. In the end, you find it's repetitious and an exercise in futility. But the necessary part for the producers is to make the money so you can't do it for two months; you have to do it for six or eight months. Eight performances are tough going - psychologically it's tough. I was talking to Hope Davis and she said it was impossible. People turn up late, their cell phones go off, etc. But, I'm a philistine. I just like making movies.

Could you talk about that final scene?

We had loads of fun.

And, what about that kid on the plane?

It was very interesting. There are two versions. They cut to the boy's face as I was feeding it. I winked at him and Ridley saw that and cut it out. He didn't want Lecter to be corrupting anyone. But, he says to the boy, try it. It's very strange.

 

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